Still on a break from the studio....

Developing your own colour palette in pastel

The recent crisis

 has kept me away from the studio

 and social media

 so unfortunately my blog, 

Instagram etc.has been neglected.

I did write an article for the UnisonColour

 pastel blog back in January

 which has been recently published.

Here it is ...hope you enjoy! 

Twilight

For the beginning pastellist 

the amazing array of available colours and tones

 can be both exciting and overwhelming.

In paint you can start with the three primaries

 (red,yellow, blue), plus white 

and begin mixing to create tones and colour variations.

But where to begin in pastel when there is so much on offer!

As a teacher I recommend a basic set

 which includes those primaries plus a whitish light and a blackish dark.
I then encourage students to get to know the qualities of that set…

play and mix, smudge and layer… even make mud!

In my first example, “Twilight”, you see what a limited range of colour can do.

 The monochromatic colour scheme

 allowed me to freely overlap and blend

 without fear of creating mud.

(Unison blue greens -  light to dark- BG 1 through 6 plus Add 49).


This palette also creates the opportunity to explore the expressive quality of soft pastel…. from the most illusive of edges to the sharp contrasts of light against dark.


As your confidence grows try

 (and this is only a suggestion!)

  a half stick set  (e.g.starter 18 or more). 

This has a good variety

 and you can begin to explore colour relationships.


 In this next example 

you can see what happens

 when opposing colours are placed beside each other.
With experience you will find yourself saying,

 ” I wish I had a warmer green, a pinker blue, etc”….

Then it’s time to consider expanding your palette…

.and that’s when the fun really begins…

start studying the colour charts.

What a pleasure it is to find that favourite illusive colour

 that makes your picture pop or ties a whole composition together.

 

Two more examples for you …the same simple scene - two ways  -
one an overcast day and then an evening sunset.



My daytime study is dependent on the subtle contrast of Unison blue violets (e.g. BV1,2,9) against warm greens (e.g green 15,13, ADD 37 ) while  the sunset has a more vibrant palette. (pink, Y10-orange, BG9-blue green set off with ADD 49 and Grey 36). 

So be free to experiment…You will soon be saying I can’t live without a certain shade and know that it can always be at your fingertips (remember with pastel there will be no desperate mixing to recapture that illusive tone you used last week!

Leslie Snider January 2020

http://lesliesartpage.blogspot.com/

https://www.instagram.com/lesliesartstudio/?hl=en


Over the years I've had many opportunities:
teaching art in high school, college and in my own studio....
As a student I've studied the arts in Canada and abroad...
As a professional I've experienced the joys and frustrations of selling my own work...
The most important thing that I've learned along the way…

There is always a new challenge...
always a new adventure....


 

February Sketches

Summer Sketch - pastel - Leslie Snider

Summer Sketch - pastel - Leslie Snider

Working my way 

through photos and ideas

 from last summer.

January Reflections

Disparate ideas

 for the first month of the year

connected by the themes

 of water/ reflections

and a certain moodiness.

This first, an icy stream

made gloomy by the lack of snow.

Icy Stream  - Leslie Snider

Feeling nostalgic for the warmth of summer,

this second pastel echoes

 the view from a canoe

 as you drift along the shoreline 

on a summer's day.

Summer Shoreline - Leslie Snider

 

Back to Basics

Feeling the need

 to take a break from colour 

and get back to some drawing.

It encourages (forces) me 

to concentrate on composition.

These charcoal sketches 

are based on some

photos I took last summer. 

The Old Stream  - charcoal - Leslie Snider

K&P trail - Kingston  - charcoal - Leslie Snider

 

Last of the Year

As celebrations are escalating

there will be little time

 for quiet reflection

and painting.

Here is a scene 

to which I can't resist returning.

The constant changing light

 never fails to be a surprise.

Across the Lake in Winter

October Landscape Studies

Out my studio window

there is one of those

light and fluffy
Christmas card snowfalls.

So here's a little nostalgia

 for that change of season

just past.

Two pastels

describing the beginning

 of winter.

First Snow

Our first snow was early and arrived 

before the autumn colour had faded. 

The contrast

gave me a chance 

to highlight the juxtaposition

of warm/cool colours.

A wind storm then stripped the trees

 of their warm hues

 and the whole atmosphere

cooled my color palette.

Early Snow

Finally a couple of field sketches

on black drawing paper (Canson).

It was an experiment

 to see if the black /white contrast 

captured that quality of a dusting of first snow.