Adapting a gray toned pencil sketch
into colour (pastel)
is like a translating a conversation
from one language to another.
In my sketch I was interested
in exploring the textural contrasts of shapes and line
( the softly curving ferns versus the vertical grasses and trees).
There is also an indication of filtered light in the upper third.
When I adapted these ideas into colour
interesting changes became necessary.
Those strong verticals
(grasses and red brown tree trunks)
dominated the composition
so I increased the number of ferns
and allowed them to carry the eye into the background.
The filtered light
prevents the tree trunks
from being too dominate
and pulls the eye back down
to the forest floor.
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