All pictures are to some degree
abstractions.
I mean the picture elements
can be reduced
to simple shapes, line colour etc.
As seen from my previous post
I begin very abstractly
with bold but basic shapes and colour blocks.
I then slowly refine the composition,
bringing the scene into focus,
by adding layers
of colour and detail.
But what if I left it out of focus?
In some ways
that is what the Impressionists
were trying to accomplish,
taking into account atmospheric effects
and losing the edges.
Blue Green Marsh - Leslie Snider |
As an inveterate detailer
I find this very difficult
but know it is worth pursuing.
How often have you heard,
"Leave something for the viewer's imagination."
This pastel is loosely based on one of my photos
that I have spent many hours studying
and thinking about.
What do you think?
Presquile Marsh |
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