Showing posts with label watercolour techniques. Show all posts
Showing posts with label watercolour techniques. Show all posts

Friday, March 13, 2015

The compositional possibilites of a tree...or two..

When I started a few Pinterest boards 
to assist in teaching and studying
various aspects of painting and design,
I was surprised by popularity of trees 
as subject mattter.


Of course, 
there are many equally fascinating subjects
but on a basic level
  the simplicity of the vertical (tree)
against the horizontal (horizon, terra ferma)
offers infinite possibilities.

‘Evening Snow at Edo River’
 1932 woodblock print 
by Hasui Kawase

We can even start at a  more basic level
by looking at a series of vertical lines on a flat surface.



Here the simple contrast of long/short, heavy /fine 
along an imaginary horizon line 
creates a sense of space.





Working within a picture frame illustrates
the relationship between line and space
or positive and negative 
and the importance of background space.




This is a simple exercise 
and a great way to loosen up. 

Finally as an example:
 my watercolour of a spring meadow.

It is the relationship of trees to the background 
that interested me in interpreting this subject.




Black and white illustrations 
from a long out of print book, 
"Form, Space and Vision" by Graham Collier

Monday, February 16, 2015

Contrast and Pattern

Although I work in a realistic style 
the abstract elements of any project 
are uppermost when choosing
how to interpret a subject.


Here the morning mists 
were lifting over a wet marshland 
leaving the dead trees 
in stark contrast 
to the surrounding wetland.



In this second watercolour...
again the subject is old trees.
The dark and moody oaks
 line a roadway
against a background 
of filtered light and
youthful undergrowth.



 In the first I concentrated on keeping the background 
loose and airy as a contrast 
to the twisted and stark, dead willows.

In the second 
there is a less obvious contrast  
between the old oaks
which are almost overwhelmed
by the lively background.

The overall pattern is held in place
 by the direct roadway 
leading into the distance.

Setting compositional challenges 
brings an extra dimension 
to your interpretation of a subject
and is the beginning 
of developing a personal style.

Marsh Scenes